We all may be players on the world stage, still the question remains why we show the psychological responses to the happenings depicted from the fiction, whether in print or visual presentation, just like in real life? Much enjoy dreams our imaginations get introduced to us on the mental screen as if we had been watching television or movies. And just as in dreams the actual world becomes supplanted by the imagined virtual universe although we’re fully alert. That planet still has great resemblance to the actual one and everything happening in it appears real as a result of something shifting in our cognition school. However, the mechanism that activates our psychological responses remains unchanged and therefore we react to the fiction in precisely the same manner as in actual life.
Here we have some similarity with the digital reality of the contemporary computer technology, which can be an artificial environment created by applications. It is introduced to the viewer in this way in which the person temporarily suspends own opinion pattern and takes it as a real atmosphere. In a way it isn’t different from the phenomenon of being transported to the imagined world of fiction, except the computer doing the task is in the mind and we have no clue regarding what is the applications and who’s your developer.
This brings us to the reason for emotional response. In respect to fiction the most frequent emotions are likes and dislikes that could turn into their more powerful types of love and hate. In real life we love or hate someone because of some attachment through kinship, friendship, or through indirect understanding of the individual. One cannot love or hate a person one does not know at all. Attachment can also be to other living beings, material things, and to imaginary things. We love or hate a narrative or even a notion. For an ordinary person it is not possible to live unattached to items on the planet. If one is able to get rid of attachment, one joins the rank of enlightened souls who are indeed rare. We carry our capacity and desire for affection even into the imaginary world of fiction. We view the characters we come to know as the story progresses, shape our likes and dislikes, and react in precisely the same way like in real life except that we cannot socialize with them physically. But we do socialize together in our minds and hearts from where the emotions come. Well, what do you feel about that so far? site link is an area that provides a tremendous amount for those who are interested or need to learn. Yes, it is true that so many find this and other similar subjects to be of fantastic value. You should take care about making too many presumptions until the big picture is more clear. If you are unsure about what is needed for you, then just take a closer look at your specific situation. You will find out the rest of this article adds to the foundation you have built up to this point.
The fact is that in a specific sense life is fiction. Just like a story it’s a beginning, an end, and also lot of stuff in between. We don’t know who writes this fiction will ever know. Thus we’ve got an inborn affinity with fiction and cannot fully detach ourselves from it. And maybe that’s the reason why, while studying or seeing fiction we get dropped in the wonderland of imagination, but for this brief period we operate exactly in the exact same way as we would in the actual world of our understanding. In that sense fiction is just invented reality.
Theme is the reason fiction things, because it’s the quality that gives the narrative a universal appeal. Some say motif is exactly what the story is all about, but that’s too ephemeral a definition, which might get confused with the idea or the plot.
Theme enriches and inspires the reader when saying something profound about the human condition. Theme is the abstract concept behind the story forming the story’s heart and soul which the exposition, dialogue, and action reflect every opportunity they get.
Theme isn’t the characters or the plot or the original idea that started the story. For instance, a writer could start with the idea of exploring family connections between women, but as his story progresses, his theme may appear as forgiveness and understanding between different generations of females. There are some topics on which it is very hard to write any kind of story.
Theme is implied, sometimes without the writer’s knowing of it in the beginning; nonetheless, more experienced writers usually work on their subject harder than any other part of the narrative as soon as they grab on to what it is they are writing about.
In non-fiction, the author is advised to hone into his subject and begin referring to it right at the first paragraph. In fiction, on the other hand, the motif generally flowers through the writing as the story progresses.